Oops

A certain Britney Spears song is running through my head right now.

I was on a finishing quick. Trying to turn blocks in to quilt tops, basting a few quilts, and making more blocks for others. No real reason other than a desire to have things move around on the list and maybe get a finish or two. Then this happened...

You see, I was prepping for a class. Wanting to augment my existing class samples I decided to try something else. I did that one thing, shared it on Instagram, someone commented on it, that led to another idea, and I went ahead and played. So bits of that piece on the bottom left became an attempt at shark fins on the top. But I couldn't quite get the shark fins to look right so I kept trying. Frankly, then, they started to resemble orcas more than sharks. It was at that point that I got the idea for a whole pod of orcas/sharks. 

That bit on the bottom left also greatly intrigued me. I decided to pick two other high contrast solids and play some more. The blocks are made up on different sorts of improv triangles (that's what my class was on that day). I am completely in love with the interesting shapes that come from sewing the different components together. Positive and negative space at work.

So I did what any respectable quilter would do when faced with two fun ideas would do - I went shopping. My solids stash is actually quite minimal. I picked up a whole bunch of blues to add to the pod and add variation to the ocean background. Then I snagged a bunch of random coloured solids. 

These are both excellent Morning Make projects so they will certainly be in the rotation. Let's see what I can finish before the fabric arrives.

All The Sundays

All The Sundays

70'' x 70''

An oh so special quilt is finally finished. I wasn't impatient or anything, but as soon as the last stitches went in the other day I realized how much I wanted this quilt to be done. Only so that it could be real, that it could be a thing I used and loved.

The first bits of piecing in this quilt started years ago. I was teaching a Slab class, the technique popularized in my book with Amanda Jean, Sunday Morning Quilts. In my prep for the class I grabbed a bunch of scraps from making the quilts in A Month of Sundays. They were handy, that's all. I had no specific plan. So I made my samples for the class and that was that. A bit later I was reading Denyse Schmidt's book, Modern Quilts, Traditional Inspirations. Her Shoeman's Puzzle quilt grabbed me immediately.

I'm not sure when the moment was that I decided to combine all these influences into one quilt, but it happened. And it was love at first sight.

It wasn't an easy quilt to make. I made freezer paper templates to keep me on track. Those didn't come into play until after I'd made slabs though. The templates were totally necessary to keep lines as they should be, especially important with all those angles and bias edges. Of course, then there is the removing of the paper. Thankfully there are only 3 seams in each block, about the easiest paper piecing you can do.

The quilt top sat for a year and a half in the closet, keeping a dozen other quilt tops company. I wasn't quite sure what I wanted to do to quilt it and was willing to wait until the right idea hit me. Or, the right person to do it for me. 

Last summer I met Dara from Stitched Quilting Co. Turns out her MIL lives a few blocks away from me. We had a few visits and chatted quilting, dogs, and mothering. Well a couple of months ago Dara messaged to say she had an opening in her long arm schedule and delivery ready, if I had a quilt to go. Seeing as my Quilts Under Construction list is quite long I wasn't about to turn down the opportunity! This quilt made the cut precisely because I didn't have a plan for it and I already had a wide back purchased and ready to go. After a frantic evening of pulling papers and a few repairs I got it to Dara.

With so much solid expanse in the whites/creams of the quilt top this needed a special touch. Dara gave it just that! Such custom, detailed work. So much attention to detail. There are secondary and tertiary patterns in this quilt top and her quilting highlighted them. I'm thrilled with the outcome.

For the backing and binding I chose to go back to my dear friend Amanda Jean's fabric, Good Neighbors. She had a wide back fabric in that collection. And the orange dot was absolutely perfect for the binding. Conveniently I'd just ordered a half yard of it, the perfect amount. And lucky for me, because neither are available anymore!

My husband will happily tell anyone that we have a ridiculous amount of quilts in our house. He is very obliging if we are asked for donations or gifts. Little does he know that this quilt will never leave my hands. It represents so much to me, not to mention that I think it is absolutely beautiful. I will always think of friendships, how my career has grown, and the history contained in some beautiful fabric. 

Galaxy

Galaxy

60'' x 60''

Improv isn't just for wonky cuts and pulling fabric out of a bag. You can start with a shape, precise cuts, and a playful spirit. That's exactly what I did when I started this quilt, oh... almost 3 years ago.

I did have a plan, but when that didn't work I had to figure out something else that would still make a beautiful quilt. There was no way this beautiful fabric was going to waste. It is made from the Cloud 9 Cirrus Solids, their first colour release. It is extremely soft and oh so delicious. Bonus, it is certified organic cotton. So when my initial intention did not work out, I came up with an alternative quilt top.

This is what playing with improv teaches you to do - figure out a solution no matter what. Whether it is running out of background fabric or making a mistake in piecing, whether you simply don't like the way it turned out or you suddenly want to make the quilt bigger, having the spirit of improv means you can come up with a low stress solution. It is about tapping into that ability to embrace the unknown and find a path forward. 

So back to the quilt.

When I took my mostly random half square triangles and settled on a layout - after a lot of design wall play - the top got pieced and added to the pile of tops in the closet. Periodically I would pet it (that fabric is seriously soft) but that's about it. Fast forward to last month when friends of ours asked if just maybe I had a quilt to donate to a charity event they were hosting. I think my husband answered for me, with the strongest yes ever. Rather than take a finished, and therefore used, quilt from the racks I decided to finish one fresh for them.

I've also learned that for charity donations like this people seem to like quite traditional or quite bold quilts. This one is definitely bold! The other thing I've learned is that while I am generous, I can't be ridiculous with my time. I do have that family/work thing to do. So I went with straight line quilting that actually added some movement plus a cool secondary pattern of an Ohio Star where the lines intersected. I picked a turquoise Aurifil because when any colour will work that is always an excellent choice! It also looked great on the back, one of the first Prints from Rashida Coleman-Hale with Cotton and Steel, Moonlit.

Binding choice was probably the most difficult. Again, any solid colour would likely do. I was leaning towards hot pink or carrying the turquoise out. Then I spied the perfect fabric peeking out of my stash - a ruled sheet of paper inspired print from Paper Obsessed by Heather Givans (of Crimson Tate fame). It's already on the bias, and the touch of blue and pink is just enough to make it so much more than a solid binding. And thankfully it looked great on the back.

The quilt has already been auctioned off. I'm always a little bit sad that they don't fetch more, but happy that the quilt is going to a loving home. And I met the winning bidder so I know it will be well taken care of. I may however, need to restash some of those Cirrus Solids now.

Forgiveness - Scrap Vortex Meets Improvised Words

Forgiveness

80'' x 77''

When two quilts become one. When emotions transfer to your making. When the morning make becomes all consuming. When making a quilt is cheaper than the therapist.

This particular quilt started a few years ago. I called it Snippets on Dates back then. Take two little bits and sew them together. Repeat a thousand times, press. Sew pairs to pairs and so on. I had a small quilt together and there was no end to the little snippets. Around the same time Amanda Jean launched her Scrap Vortex Quilt Along. It got a lot of people looking at their scraps differently. Here and there I would take my overflowing bin of snippets and sew some together. Doing it bit by bit makes it less daunting, especially when most of the pieces are 2'' or smaller! But I never really moved further than that. Everything just sat around in my Quilts Under Construction pile.

Cue last summer. For one, my Morning Make became a serious commitment. As in, I wanted/needed to do it every day for my sanity. I like my Morning Make projects to be no brainers so I pulled this one out to start. Then my heart started turning over the word, the act, the emotion of Forgiveness. I decided sewing the word would help it burn into my brain and body, like I was taking notes for a test. Initially, I didn't actually see the two projects working together, I just happened to have them both out on the cutting table. They did really want to go together.

At this point I could go on some spiel about symbolism: the chaotic nature of our emotions with the quilt as metaphor. Uh, no. It really came down to the fact that even though I was making letter blocks to spell Forgiveness, I had no clue what to do with a really long, skinny quilt with just that word. While I thought about other words I put more snippets together. It seems obvious now, but it took me a few weeks to let the two projects play together. And then they became creative partners, propping each other up, no metaphors needed.

I rather like that the word is a bit tough to see. It wasn't bad Value work on my part, it was intentional. Forgiveness is an internal emotion, I don't need it, or me, to shout its presence.  Oh wait, I just got symbolic. But I did tone down the value contrast intentionally. Rather, I didn't do really darks and really whites on purpose. But it is there. Another confession, I made that V three times.

The fabrics go all the way back - some 20 years, some last year. There are bits and pieces from other quilters in there, including leftover components already pieced. I did zero editing for style of fabric so everything is in here - batiks, civil war, 30s reproductions, modern, solids, linens, you name it!

The backing was a piece of yardage I picked up in Arizona last year, something random that reminded me of a painting in my childhood home.

As usual, I used Quilters' Dream 100% cotton Select weight batting.

It was quilted with a combination of Aurifil and Wonderfil threads in yellow, grey, green, and blue. Just things I had in my stash. I did wavy lines across the quilt and outlined the letters for a bit more emphasis.

When it came to binding I wasn't sure. Scrappy seemed to make sense, instead of suddenly adding one bit of order. Conveniently, I had a bowl full of binding scraps. I sewed them end to end and made my way around the quilt. 

The last stitches actually went in the binding on New Years Day. Felt great to start the year with a finish, symbolic as it is.