Color of Connection Quilt

Color of Connection

58” x 64”

The premise behind the Color of Connection quilt along was to sew together, yes, but to also inspire discussion and efforts around diversity and inclusion in the quilt community.

Diversity and inclusion in the quilt community? I believe that while quilters come in all stripes and colours, the spaces are dominated by white women. So yes, quilters are a diverse bunch, but it is still a far from inclusive community. This #colorofconnectionqal is highlighting that. I've met a number of new quilters and new to me quilters, quite a few with stories about bad experiences with quilt guilds and communities. It is painful, but not surprising that this is still happening. Quilting community is going to be a reflection of the larger world. Just because we are quilters we aren't all magically kind and wonderful, despite the grandma stereotype. If we want the change here and everywhere we have to make the change.

This was my first quilt along, at least the first I can remember participating in. I felt it was important to both join the discussions and lead by example. It really wasn’t about the quilt. (But I will still talk about the quilt in a moment.) It was about a bit of a reckoning for our quilt community. It was also about building community for ALL quilters, for acknowledging that the spaces we are creating may not be welcoming, and for having this Color of Connection community be a truly inclusive space.

Kudos to the organizers Porfiria Gomez, Keyana Richardson, and Michelle Collins.

Now, to the quilt.

It’s me, so you know I have a hard time following a pattern. I followed the quilt along and the discussion prompts, but played with the pattern a bit. The original quilt called for large solids or at least large cuts of prints. As my scrap bins were overflowing I decided I would make slabs and cut my pattern pieces from them. I started with black solely because I was thinking about Black Lives Matter. This particular quilt seemed like a good one to get symbolic. After that I chose warm colours to share joy and warmth of people. And because they looked good.

As usual, The Monster helped me baste the quilt and she suggested the red thread. I used a Wonderfil option from my thread stash. In fact, I bought nothing to make this quilt. The backing was a combination of two fabrics from my Tag collection. I loved the mix of the names prints - showcasing the diverse community of our local elementary school where all the signatures came from - and the texting print of all thumbprints. My batting was put together from leftovers. Nothing like Frankenbatting to truly embrace a make-do approach!

The binding was a fun choice. We know I like a contrasting binding. It actually wasn’t my intention here, but nothing I chose in black, red, pink, or otherwise looked good. On a whim I pulled out my blue and green bins. This royal blue Pearl Bracelet was exactly the right colour and I had just enough to make this work.

The quilting itself, with the aforementioned red thread, was a fun grid. Vertical lines first, every 2”. Then I did a diagonal line with the same spacing, following the lines of the large HSTs in the pattern. It isn’t fancy, but it is effective. And quick.

Obviously, a quilt along is not going to solve systemic racism. What it does achieve, however, is a continued conversation and visibility for the topic. Both are important in our community. With the quilt along finished it is now up to the rest of us to continue that conversation.

As a quilt teacher one of the places I do this is in my classroom, virtual or in person. My goal is to create a space where everyone and anyone is welcome. I promise you I will shut down the commentary, judgement, and racism/homophobia should it come out in the classroom. And if people don't think I should do this then they shouldn't hire me. As a quilter, I will do this by continuing to read, to listen, to encourage the conversation, to use the materials I have on hand, and to use my platform for all of this. I know loads of people want to keep politics out of quilting, but you just can’t. And I won’t.

If you are interested in the Color of Connection pattern or the goals of the project you can find out more here.

Morning Make February 2021

Phew!

That was a bit of a doozy. In a good way, of course, but still an incredible amount of stitching. That right there is one crumb block for each day in February.

What is a crumb block? That is a block sewn together with little scraps, the crumbs of your previous quilting. I think of them as mini slab blocks, the often used technique from my book Sunday Morning Quilts. What counts as a crumb is a personal definition.

In my case, crumbs are as small as 3/4” and as big as 2”. They might be skinny and long or so small you wonder why I bother. All of it is precious and valuable. This really is sewing with every last bit.

The month started with a basket of scraps that had accumulated over time. I sorted them one evening, pulling out the bigger bits and setting them aside. A few days in I remembered a half full IKEA bag of various scraps. Sigh. That’s a lot of scraps. But a zoom call with girlfriends in another city got me through most of those. Sorting scraps can be daunting but I find it is easier to do when I am multitasking with conversation or viewing something. It was those two sources that fed the crumbs. Yes, there are still some left.

That’s alright, because I am not done making these blocks!

I actually had a handful from previous sew days already. And with my upcoming Crumb Blocks Playdate on the Quilters’ Playcation I have more sewing on the agenda.

I have no idea how I am going to put these all together. You may be shocked to hear this, but I am debating using sashing! All the blocks are different sizes - they finish when I feel like stopping sewing. It would be very enjoyable to puzzle it all together, filling in the gaps with more crumbs. Indeed, that is my favourite part of making a quilt. However, I already have one large quilt made in a similar fashion. Slightly bigger crumbs and the addition of a word, but still very similar. I think I will challenge myself to do something different, I’m just not sure what that will be. In the meantime, there will always be more crumbs.

Quarantine Quilt 2

Quarantine Quilt 2

45’’ x 54’’

We’re in a Polar Vortex right now. Or, as I call it, proper winter. Perfect time to be finishing a quilt AND to make your children hold it up for you to take a picture before the sun sets.

This is the scrap quilt from Quarantine Quilt 1. In the midst of Morning Make in April 2020 I realized I had a stack of cut triangles and that begged to be used right then and there instead of being relegated to a scrap bin. My one block a day that month became two blocks a day when I started turning those triangles into Sawtooth Stars.

Two quilts for the price of one month.

This quilt finished up as a sweet little baby quilt. It is pretty and cute and soft and exactly what you want a baby quilt to be. And that was before I quilted it! Simple loops in a variegated 50W from Wonderfil give it the perfect texture for a piece that will hopefully get well loved one day.

While I usually go for a higher contrast binding the whisper of the low volume fabrics called for something quieter. I picked the peach crosshatch from Carolyn Friedlander this time. It was a total coincidence that I also had used some of her fabric on the backing. What can I say? She makes good stuff!

Now that this quilt is done and the weather is still frightfully cold I need to get another quilt done so I can sit and bind it while watching the world pass by. Mostly I will dream about babies that family and even friends could have so that I can bestow this sweet quilt upon them. I promise that by the time I give it away it will have a better name.

Checkboard

Checkerboard

60” x 60”

This, by far, was not the oldest UFO in the quilt closet, but it is getting up there. Finished the quilt top in 2014, but I’m guessing it was started a year or two before that. Now, however, it is done! Taking advantage of the girls being home more and a clean floor I got a couple of quilts basted and this was one of them. I won’t lie, I picked it because I knew it would be an easy finish. Nothing wrong with that.

The pattern is from my book Sunday Morning Quilts, co-authored with Amanda Jean Nyberg. It’s actually one of the patterns Amanda Jean wrote. We both had grand plans of making all of each other’s patterns. Obviously, that did not come to pass. But I did make this one, and now I finished it.

Some of the fabrics in this quilt are old! That purple floral? From my 3rd quilt ever, sewn in 1999. That purple with the little white dots? Something vintage I was gifted. The grey with the dots? That was background on Nap Like an Egyptian, also from Sunday Morning Quilts. This is the true joy of scrap quilts, or scrappy ones even, giving more life to fabric that’s already lived! It’s like the fabric had a near death experience and now it is back and living better than ever.

The quilting was simple. With 2’ squares this simple diagonal was easy, fast, and gives the best scrunchiness to the quilt. I actually quilted most of it while watching a few episodes of Mad Men and Brooklyn 99, our recent pandemic viewing. Thread used was an Aurifil 50W, colour 5006.

For years I hoarded this backing fabric. Not exactly sure where or when I bought it, but I bought it specifically for this quilt. Many times I’ve had to stop myself from using it on something else though. It comes from an old collection designed by Jessica Levitt. As you can see, it is just perfect for this quilt.

While I’ve been working my way through stash and supplies as I work my way through UFOs, I did have to go shopping for the binding. When I was ready for it I decided it had to be this exact shade of magenta, found on that backing fabric, and I had nothing remotely close in my stash. So I made an appointment and masked up to shop one of my local stores, Out of Hand. Dierdre, the owner, was there and found this perfect fabric within minutes. I may have shopped a little more, but I did indeed walk out with her choice. As you can see, I did the binding a bit different than normal for me. It was attached by machine to the back and brought around to the front. Then I stitched it down with a big, obvious, running stitch in an 8W thread. Conveniently, I had the matching thread in Valdani. I thought I had a turquoise colour, which would have popped nicely but no. For the record, this kind of binding goes quickly! Thanks for Shannon Fraser for reminding me about this technique.

While this finishing kick is great, it does result in more quilts leaving the sewing room for the outside world. Truth be told, my husband would like some more outside the house too. Bah! You can never have too many quilts.