Some Modern Opportunities

Putting aside the use of Modern Quilting as a term to define a trend, or make something seem trendy even when it isn't really a modern quilt, there are some changes afoot in the traditional quilting world that I wanted to share with you.

Quilt Canada 2014, the big show, conference, and workshops put on by the Canadian Quilters Association added Modern to its categories for the National Juried Show. For my American friends, this is the equivalent of the show in Houston for Canadians. The CQA worked with The Modern Quilt Guild to define the category and judging criteria. Entries are open to Canadians - including Canadian citizens living elsewhere. (Oh, and I'll be teaching there for four days...)

Enter here.

Did you notice there are some pretty hefty cash prizes?

Closer to home, the Calgary Stampede's Western Showcase also added a modern category to its quilt show. The Western Showcase is quite a wonderful part of The Stampede. A little oasis of calm and creativity in the midst of the midway, rodeo, and wallet draining. And it isn't all just horses and cowboys there either.

Entries aren't open yet, but stayed tuned to the Western Showcase site, entries will open at some point in the new year.

Putting yourself out there by entering a show is a scary thing, I know that. And show quilts are not necessarily the quilts you snuggle up with on the couch. Sure, your entry may not be accepted and it is quite easy to wholeheartedly disagree with any comments from the judges. That being said, entering a show is a new experience, a challenge, and rather exciting. I urge you to consider it, put any fears aside, and jump in feet first. Don't worry, I checked the water, there are no sharks. Just a lot of black drapes and white gloves.

One Day - A Quilt

One Day

40'' x 50''

Made for Hubby's best friend's new baby boy. As soon as they announced they were expecting my Hubby informed - not asked - me that I would be making a quilt. Rather than take offence I gave myself a pat on the back that he appreciates this gift as much as a recipient. And this little quilt is now in the baby boy's hands.

The whole quilt came together quite fortuitously. I used the map fabric I had left from this quilt. The couple who are parents of this baby boy are world travellers. In my imagination I live vicariously through the adventures they've had. Hubby actually picked that fabric when I decided I would use this block as the basis of the quilt. In addition to the map fabric I used a variety of low volume prints in blue, green, yellow, gray, and orange. Some of the prints were even from the couple's wedding quilt!

The map fabric is a little odd as it isn't exactly geographically correct. This is not what Canada and the US look like! But the outside borders are there. If I cared to research things in the history books I'm sure I could find a year to associate with this geography. For now, we all get the idea.

The quilting is done with Aurifil 50W in white, as was the piecing. It is a combination of grid work and dot to dot curves around the map sections of each block. Together, it creates a wonderful texture.

This is Hubby's other contribution to the quilt. He insisted that one block with Australia be placed upside down. Sure, whatever.

Finally, when it came to selecting backing fabric Hubby stepped in. He and his best friend have always bonded over cars. And indeed, this guy works at a car dealership now. So the car print was the only choice! I guess it really is a travel themed kind of quilt.

One day the world will be his to explore.

Plus, a Quilt Top

Back when I was in Nova Scotia (oh, how it feels like it was last year, not last month) I managed to get a bit of sewing in for myself. I had such eager students that were going back to sew late into the night, after dinner. One night I decided to join them. I made great progress on these blocks while chatting about klutziness, motherhood, real estate, and more. I came home with just some final seams to sew.

I took a break from binding Just One Slab quilts and finishing a baby quilt to get this top together. And now I want to throw everything aside to finish it!

I debated a number of ideas for layout. Contemplated more blocks. Thought it should be bigger. In the end, the idea of quadrants won out. I liked the echo of the quadrants in the blocks into the quilt top as a whole. And I wanted the plus signs to really float on that pieced, scrappy background.

So much fun. All improv fun. And all that grey, such lovely grey. Mostly made from scraps. Just wait for the texture from quilting.

Brave New Quilts (Weekend Reads)

Brave New Quilts is the latest and last book by Kathreen Ricketson. Inspired by Twentieth Century Art movements it speaks to inspiration and translating that inspiration to a quilt.

Kathreen died earlier this year. I woke up to the news one morning during Quilt Market. I'd woken early to actually answer some emails for her, only to get the news. Many others had the same story. And we all walked around in shock. And we were just fellow quilters and writers, colleagues and friends from online, not her family reeling from the tragedy.

Now, her book is out and travelling the world without her. A final legacy to her work.

Kathreen and I were working on our books at the same time, clearly with very similar deadlines. We would exchange tweets and emails about our status on the work. We knew what the other was going through. So, even though our books are quite different from a content perspective, they parallel each other in the timeline of my mind. That leads me to what I want to talk about today on this last stop on her Legacy Tour.

For all the book reviews, Amazon reviews, and social media comments it is important to remember two things. One, there are people behind these books. And two, these books are a creative enterprise as much as a quilt is, they are a work of art too.

The author of any book pretty much gets all the credit, or critique. But they are team efforts (unless self published). But for any and all credit and critiques you have to remember that these are real people. They have feelings, thick or thin skin, and real emotions. It seems easy to think of the book as an independent entity, free from its creator. That makes it easier to dismiss or criticize. I get that, it is a part of human nature to complain. But it is important to remember that these books do not exist without the people behind it.

That leads me to the second point: these books are a creative expression of the author and designers. When someone is writing a book they aren't just thinking, "Hey, I'm going to make a bunch of quilts and someone else will take pictures and we'll put them all together in a book and then people will read it." No, we think about themes, and details like illustration style, layout, styling of each quilt photo. We agonize over fabric selection more than you ever have, we tinker and run out of ink on red pens, we obsess over a block that won't lay flat. For the authors and designers, the quilts and their patterns are only just a part of the book, not the be all and end all.

Every author has a different reason for writing a book. Some want to translate their teaching to the written page, some want to share inspiration, some are looking to collate patterns, some love to write. All of them are coming to the book as a form of creative expression. Writing the book is as much that as designing and making a quilt.

Now I'm not saying that we authors are immune to critique and I, personally, welcome comments and constructive criticism. But when you make any comments on a book - good or bad - remember that there are people behind it and we put a lot of personality and creativity into that book. (Keep all this in mind as well if you are contemplating writing a book.)

That's why, when I read Brave New Quilts, I think of Kathreen. I think of her frantically sewing to make deadlines, photo shoot styling flying through her head as the stitches go in. I think of her cleaning and organizing just so for the shot to be exactly as she wants. I think of her spending an hour on a single paragraph to make sure her intentions and directions are as clear as they can be. I think of her anxiously anticipating the Pages for review to see how the designer put together everything.

Perhaps I am projecting my own experience onto Kathreen's, I will admit that. But we did speak of the process together. And now that I see her book I have a bigger picture of her own process. More importantly, I have a picture of Kathreen, a glimpse of her inspiration and translation, and of her creativity that goes beyond 12 quilts and beyond the emails and tweets we shared. I'm glad to have this bit of her in the world. A legacy to her creativity indeed.

To read more about the book and other takes on it, make sure you visit the other stops on the Legacy Tour for Brave New Quilts.

Stash Books
Heather Jones
Kristin Link
Maya Donenfeld
Alexandra Smith
Sonya Philip
Ellen Luckett Baker
Andrea Jenkins
Shannon Cook
Mimi Kirchner