"quilts"

New York Beautiful

Not much is happening on the quilting front lately.  Hubby is out of town, the house is bearing down on me, and I'm simply exhausted by the time the girls stop jumping on the bed and chattering to each other, finally collapsing in the heat.  Rather than leave you with another picture of a chubby baby in a bathing suit I thought I would open the vaults and share some of my older quilts.

This New York Beauty was a pivotal piece of work for me. It was my first truly scrappy-style piece, although not truly a scrappy quilt. At last count I think there were 23 different fabrics in this quilt. Before this quilt I was quite set on simple patterns on a white or single coloured background.  Since this quilt I've barely made a quilt that way.  Looking at this quilt again, I've also barely made a quilt with borders since.  One step forward, one step back.

I made this quilt as a wedding present for my brother and sister-in-law.  Actually, Hubby and I made this quilt. When I first started giving quilts as presents Hubby insisted that his name also be on the label.  My insistence was that he actually help with the process if he wanted his name on the label. Usually that meant expressing an opinion on the fabric choices or the layout, or helping me baste the quilt.  In this case he helped pick the pattern and even took the class with me to learn how to make the block.

For the record, if you have any single male friends sign them up for a quilt class.  If there are no young, hot chicks in it, there are lots of moms and grandmoms with single daughters who will be happy to set him up. I was in the room with him and they were still trying to set him up with other women! 
The colours for this quilt were chosen to remind my brother and sister-in-law of the beach. They met and started dating in California. And my sister-in-law is from New Orleans. It seemed appropriate to do what we could to remind them of warmer weather since they were moving back to Edmonton after they got married.  And we chose the New York Beauty block because my brother proposed on the top of the Empire State Building.  Such meaning, it might be a bit too much.

It is probably safe to say that this is one of the most-used quilts I've ever made. My sister-in-law uses this, with a duvet and a heating pad to sleep. I mentioned that my sister-in-law is from New Orleans and moved to Edmonton, Alberta, right?  


Can You Quilt the Grass?

Generally, no two quilts of mine are quilted the same.  Honestly, I don't think I've ever even stippled the same sort of way twice.  Many times I am inspired by a certain fabric in a quilt - flowers on a quilt with flowered fabric, for example.  Sometimes I am inspired by the graphic nature of a quilt and choose to reflect or accentuate it with the quilting design.  And sometimes, the original inspiration brings out the quilting design.  Such was the case with my Grass quilt.

I wanted the quilting to look like blades of grass.  There is all that white that was begging show off some cool quilting.  Really, the quilt top was even designed with this quilting idea in mind.

In order to pull off a new idea effectively you can't just throw some thread in the machine and see what happens.  As anxious as I usually am to start quilting the second I've closed my last pin I do like to do a bit more prep work before the needle hits my quilt sandwich.

The first thing I do is sketch.  More than once a quilt pattern comes from some random doodle done in a fit of boredom.  Last week I was on a conference call and my mind was wandering to exactly how I was going to quilt blades of grass without actually sewing a bunch of vertical lines down the quilt top.  I have no idea what was said about feed-in-tariffs that day, but from my first doodle on a sticky to this full sheet sketch I knew I had a good pattern. 

It was important to me to capture the randomness of growing grass and the movement you see when you get down on the ground and actually look at the grass.  I also didn't want it to look like a whole bunch of scratches stretching horizontally across the quilt.  I think the full sketch captured what I had envisioned in my head.  On to testing.

An old quilting friend of mine once gave us some really good machine quilting tips at a retreat. One of the tips she passed on was to create a binder of machine quilting samples.  Take note of thread, tension, and tips to make a pattern work.  That way there will be no second guessing when you want to do that pattern a second, third, or fourth time.  It also works well for testing a pattern and working out any kinks before you tackle a big quilt.

This was the sample I made to test my sketch.  In this case making a sample was a very good idea.  On my machine, when I do more curves I have to have my tension set quite light. That did not work on this pattern.  Problem corrected I also realized that this pattern was going to require some good speed control.  In just a few minutes I worked out my frustrations and was able to develop some rhythm for quilting.

On to the quilt.
Holy crap, I'm in love with this.  I still worry it is a bit to flame-like, but it really is exactly what I wanted. The amount of thread this is using is phenomenal - one bobbin doesn't even do two horizontal passes of the quilt.  Really, I could care less about the thread costs (I am so not doing that math at all).

Now, just to finish.  I'm only about a third done. Sometime in August...

No More Whining

Okay, there has been far too much whining here of late.  I could continue on - life's just beating me down these days - but it is time to move on.  Seriously, I need a kick in the butt and some perspective.  Don't let me whine anymore.

Instead I will share some good news and some quilt photos.  Other than the gates, our fence is done!  We can also now run around and play on the new grass.  And speaking of grass, I finished my grass inspired quilt.

I should clarify that this quilt is more inspired by the intended patio in our newly landscaped yard.  The patio is still a month or so away from being completed.  Maybe that's why I wanted to do this quilt - letting my imagination run wild while I stare out the back window.  Or compensate for the lack of patio?  Oops, I said no more whining.

The top is made entirely from scraps.  Okay, maybe the whites technically qualify as stash, not scraps.  But they weren't big pieces.  All the greens do come from the scrap pile.

The white squares are 12.5 inches and the pieced sashing in 4.5 inches wide.  Those are unfinished numbers.  I made the sashing pieces by trimming my green scraps - those that were big enough - to about 13.5 inch strips.  After dividing them into dark/medium and light piles I sewed two strips together.  I then trimmed them, often on an angle, to 12.5 by 4.5 strips.  The cornerstone pieces were made from smaller scraps, sewn together into a simple four patch and trimmed down.

Initially I thought this would be a great picnic quilt, but Smilosaurus is way too messy for that this year.  The quilting will be a challenge - at least to me.  This is where the grass inspiration will really come in.  Stay tuned.

And speaking of perspective, I wanted to share with you some good news.  Do you remember this quilt?  My colleague and old boss finally got his new heart on Friday.  We heard yesterday that he is already recovering quite well.  So when I'm whining about the state of my house and busyness of life, remind me that heart matters more.

PS  This last pic includes fabrics from that Inspired Improvisation quilt - and one of the many aphids hanging around these days.