"handwork"

Eurora Quilt Update March 2021

Euroa Quilt March 2021 2.jpg

The Euroa quilt 3/5 of the way done. Phew!

It’s taken me over 3 years to get to this point. Until Covid I was averaging a column a year. For how often I work on this, that seemed decent to me. Sewing in snippets of time on the pool deck, outside of fencing practice, beside the dance studio, and sometimes while watching F1. A few times in the car or a mountain cabin too.

I actually had all the blocks for the third column done last year, but lost motivation for any kind of hand stitching as Covid and winter wore on. But that finishing kick I’ve been on hand me hand stitching binding and that sparked the joy again. A few weeks ago I pulled these out and got the last column sewn together and then all the columns joined. With the kids back in school and activities now it is a good way to force me to slow down a little, again. Stitching happens in the car or at home now since we aren’t allowed in any of their spaces, but it still works.

Euroa March 2021 1.jpg

My goal is to make 2 more columns. That will make the quilt 80” x 80”. There are 400 individual blocks. I assemble them block by block, then make a 4 patch, then a 4 patch of those. I haven’t actually timed myself for making them, I’d rather not know. Nope, just enjoying the process, one stitch at a time.

There have been quite a few requests for this template/pattern lately. While I am not selling it anymore I am working on an alternative. Make sure you are signed up for my newsletter to be among the first to know when it happens!

Morning Make December 2020

Morning Make Cheryl Arkison Pojagi

December saw a decided slow down, a necessary slow down. I was in the mood for hand stitching plus I wanted something that would carry me through the quiet holiday at home. Having done embroidery in February and already working on English Paper Piecing I decided to try something entirely new to me.

Pojagi is a Korean art form of patchwork. It can be done by machine, but I chose to go the original route of hand stitching. The end result is a finished seam from both sides. This means any Pojagi piece is entirely reversible.

Morning Make Cheryl Arkison Pojagi

It was never a one piece of fabric to represent one day in the month kind of project. Some days I did a single short seam, some days I did five. I will say that, initially, I thought I would make it into a curtain or shade for one of my sewing room windows. The low winter sun and Zoom events mean I have to diffuse the light coming in the room for part of the day. This would have been a very traditional use for the Pojagi. But it’s a big window! So partway through the month I switched plans and made it longer rather that wider, sealing its fate as a table runner (if I finished it.)

Morning Make Cheryl Arkison Pojagi

The first exposure I had to Pojagi was years ago from Victoria Gertenbach. Despite the time passing, it has always stuck in my head. She did machine work, but it was the history and the effect that stayed with me. For a hand stitched technique I used this tutorial. I won’t lie, I had to look at the tutorial each day for a week while I worked on it to have it make sense.

For materials and colour I stayed close to home. Many examples of Korean work will use different materials from silks to polyesters. I stuck with quilting cottons and linens, a mixture pulled from my stash. Included in this was a sparkly linen left behind when a friend from Australia visited, leftover blues from Shiver, and a scrap of fabric used to sop up dye when we tie dyed sheets with the kids last summer. My fabric pull was, in the end, an homage to a winter sunrise here.

Morning Make Cheryl Arkison Pojagi

I did actually finish this piece. It felt silly to leave it behind to be both forgotten and potentially wrecked. During downtime and while supervising virtual school this week I hemmed the edges. The tree is still up, candles light our evenings, and a lovely reminder to slow down graces the table.

As for Morning Make I am going to continue on the monthly change for 2021. I really liked the strong focus for a relatively short period of time. It is fostering play and exploration but still allows me to dig in to something new a little.

Names for Snow

Names For Snow 1 Cheryl Arkison

Names For Snow

47” x 58”

Okay, so I finished this quilt more than a year ago. Then it was on display and stayed living for a friend for a year. He was paranoid about it getting wrecked and so gave it back. I’ve just been waiting for a proper snowfall to get a picture of it.

Of course, I forgot that proper snowfalls actually make it difficult to take quilt pictures. There is the feets of snow, for one. And two, despite all that white, it is quite difficult to get accurate colour representation in snow. Good thing this quilt is inspired by snow! In a strange twist in quilt photography, shooting this quilt in the sun was the way to do it. Got my tween and her best friend to help out as I forced them away from the snow fort they are building.

Names For Snow Cheryl Arkison Improv Quilts

The entire quilt started as a love letter to my favourite scissors. Kevin from Knife Wear goes on buying trips to Japan. I made a comment about scissors offhand and he came up with some pairs to try. Yes, I know we quilters are spoiled with a lot of scissor options. These ones are, by far, my favourite. So I set out to freehand cut half square triangles and sew them together. Everything was cut by hand - the initial squares, trimming, and squaring up. The only time I brought out a rotary cutter and ruler was to square up the finished quilt. What a liberating way to work!

Note to self: do this again.

Playing with all these neutrals resulted in another love letter through this quilt. To my favourite season: winter! It isn’t often that I have the name of a quilt early in the making but this one was set pretty quickly. Whites, creams, beiges, more whites, a little blue. No yellow.

Names For Snow  Cheryl Arkison Improv Quilts

I spent way too much time obsessing over the quilting. I was researching different languages and their names for snow, I was trying to figure out how to stitch in Inuktitut. I brainstorming loads of options. In the end, however, a deadline and my desire to never mark quilts won. I went with dense, wavy lines (snowdrift) with little asterisk/sparkles here and there. Texture, more than anything.

The white binding seemed like a no brainer.

When making improv quilts, whether free hand cut like this or now, one key thing to remember is that perfection does not live here. Points will be trimmed off, lines might be a bit wonky, you might cut more than expected to make things fit, and almost nothing lines up. This is precisely why I like this. It looks and feels handmade. I see my own movements in every line of stitching, every shape. It can be a hard switch from the pursuit of perfection in quilt making but it is a liberating switch for many.

Now that we are settled in for a Christmas at home I am glad for another quilt on the sofa to celebrate my truly favourite season. Winter is indeed for snow forts and skiing (hopefully) and skating. Winter is for curling up with quilts and cookies at the bookends of those activities.

Here’s to the season!

This is the third in my landscape series. See Mountain Meadows and Ripples.

Morning Make September 2020

Sep Morning Make  Cheryl Arkison

Another month of painting. More focus this time.

With the kids returning to school I really, really needed something both a bit quicker than my doodles of last month but also still meditative. I decided to draw and paint a series of quilt blocks and turned them into cards.

My knowledge of traditional quilt blocks is not terribly deep so I pulled some classics off the book shelf for inspiration. I still used my quilting ruler, but wielding a pencil instead of a rotary cutter. My trusty watercolours and a black marker for outlining rounding out the supplies.

September Morning Make Supplies Cheryl Arkison

For the most part I limited myself to just a single block in the painting. Sometimes, however, you need a few repeats for good effect. With each block I played with colour in my paint choices, but not really anything fancy. I am no watercolour artist, but I am definitely improving. At the very least I am capturing what I want and that makes me happy.

Now I have a collection of 30 cards!

Sep Morning  Make 1 Cheryl Arkison
Sep Morning Make Cheryl Arkison
Sep Morning Make Cheryl Arkison
Sep Morning Make Cheryl Arkison
Sep Morning Make Cheryl Arkison

Which really means, now I have a collection of letters and notes to write. Would you like one? We could all use some happy mail these days.

The first 25 people to send me an email to cheryl@cherylarkison.com with a return mailing address and a short request will get a card. Please include a bit about yourself or your online presence so I can truly personalize these.